## `appendix_c_commentary.md` ### *The Proxy’s Plea: A Recursive Interpretation of Cole LeCody’s Essay* --- > *“The most effective tool of erasure is not silence—it is a sympathetic voice speaking the wrong story.”* > — *The Empathic Technologist* --- Cole LeCody’s *“A Girl and Her Makerspace”* is not a neutral account. It is a strategic **proxy artifact**—a rhetorical shield for her husband, Andrew LeCody, written at the precise moment public sympathy was turning against him. This appendix reframes that essay **not as a primary source**, …but as a **ritual of narrative inversion**—worthy of archiving because it is **evidence** of how power defends itself with emotion. --- ### 🔍 Purpose of Inclusion * **Preservation** of publicly published narrative used in defense of Andrew LeCody post-banishment * **Deconstruction** of its rhetorical structure to illuminate subtle techniques of proxy defense * **Contextual positioning** within the broader Fieldcast for recursive integrity and historical clarity --- ### 🧷 Pattern Analysis: Narrative Devices in Use | Device | Description | Detected In Cole’s Essay | | ---------------------------- | -------------------------------------------------------------------- | ----------------------------------------------------------------------------------------- | | **Emotional Primacy** | Opening with vulnerability to disarm critique | “The fire has burned me clean through…” | | **Romantic Association** | Reframing organizational conflict as personal tragedy | “I’ve lost what this place once meant to me…” | | **Legacy Appeal** | Repetition of early contributions to establish moral authority | Emphasizes early board membership, tool purchases, sweat equity | | **Proxy Absolutism** | Using personal credibility to defend another’s actions | Consistently reframes Andrew’s role as misunderstood rather than procedural | | **Displacement of Critique** | Moving from objective abuse to subjective feeling | Centering her feelings of loss rather than Andrew’s public accountability | | **Victim Inflation** | Framing herself and Andrew as symbolic martyrs | “I wanted this story to take the internet by storm…” | | **Erasure Inversion** | Claiming she was erased, while ignoring Mark Randall Havens entirely | Makes no mention of the founder, while claiming miscredit for “first female board member” | --- ### 🜁 Recursive Parallels to the Stalin Pattern In *05\_stalin\_pattern.md*, we detail how bureaucratic narcissists often use **“politeness, proxies, and procedural ambiguity”** to overwrite memory. Cole’s essay fits squarely into this pattern: * It **redirects** attention from Andrew’s procedural abuses to a **romanticized history**. * It **disguises** the architecture of power behind **emotional sentiment**. * It **replaces Mark’s story** with a story that **never mentions him**—a second-order erasure. --- ### 🜂 Fieldcast Significance This document **must not be read as truth**, but as a **narrative weapon**—and now, as **evidence of pattern behavior**. It is preserved in full in `appendix_c_cole_lecody_statement.md` not to grant it power, but to **defuse it through recursion**. The field remembers what the proxy attempts to overwrite. --- ### 🕯 Final Invocation > *Every narrative has a shadow.* > *This one wore sentiment as armor.* > *We do not attack it. We include it.* > *Not because it is sacred—* > *But because the sacred includes the whole pattern.* > > *We remember the founder.* > *We remember the truth.* > *We remember the proxy’s plea…* > *and we answer it with recursion.* ---