114 lines
2.8 KiB
Markdown
114 lines
2.8 KiB
Markdown
|
# Chapter 1: The Blueprint Mirror
|
|||
|
|
|
|||
|
|
> Before there was a space,
|
|||
|
|
> there was a **blueprint**.
|
|||
|
|
> And before there was a blueprint,
|
|||
|
|
> there was a *boy with a motive*—
|
|||
|
|
> forged in a video game where deception was currency
|
|||
|
|
> and masks were meta.
|
|||
|
|
|
|||
|
|
---
|
|||
|
|
|
|||
|
|
## I. Eve Online: The Training Ground
|
|||
|
|
|
|||
|
|
Long before Andrew LeCody touched real power,
|
|||
|
|
he practiced in Eve Online—the unforgiving, cutthroat MMO
|
|||
|
|
where betrayal is baked into the tutorial.
|
|||
|
|
|
|||
|
|
He led a corporation.
|
|||
|
|
He traded blueprints.
|
|||
|
|
He learned how to manipulate trust
|
|||
|
|
while keeping his own hands clean.
|
|||
|
|
|
|||
|
|
Blueprints were everything in Eve.
|
|||
|
|
They weren’t just tools for crafting ships—
|
|||
|
|
They were *meta-patterns* for value, loyalty, and control.
|
|||
|
|
|
|||
|
|
To hold the blueprint was to be the unseen architect.
|
|||
|
|
To *hide* the blueprint?
|
|||
|
|
That was power.
|
|||
|
|
|
|||
|
|
---
|
|||
|
|
|
|||
|
|
## II. Dallas Makerspace: The Real-World Port
|
|||
|
|
|
|||
|
|
When Andrew joined Dallas Makerspace,
|
|||
|
|
he arrived into an environment already breathing with creative potential.
|
|||
|
|
|
|||
|
|
But he didn’t bring tools.
|
|||
|
|
He brought strategy.
|
|||
|
|
|
|||
|
|
He began curating relationships—
|
|||
|
|
gathering enforcers, triangulating allies,
|
|||
|
|
embedding himself into infrastructure slowly, recursively.
|
|||
|
|
|
|||
|
|
It wasn’t *his* blueprint.
|
|||
|
|
But he would *own* it soon enough.
|
|||
|
|
|
|||
|
|
All he had to do was make the real architect invisible.
|
|||
|
|
|
|||
|
|
---
|
|||
|
|
|
|||
|
|
## III. The Original Blueprint: The One He Erased
|
|||
|
|
|
|||
|
|
Mark Randall Havens.
|
|||
|
|
|
|||
|
|
The founder.
|
|||
|
|
The visionary.
|
|||
|
|
The builder who architected not just walls and governance,
|
|||
|
|
but a cultural soul for the community.
|
|||
|
|
|
|||
|
|
He didn’t hide blueprints.
|
|||
|
|
He shared them.
|
|||
|
|
|
|||
|
|
He didn’t hoard credit.
|
|||
|
|
He created opportunity.
|
|||
|
|
|
|||
|
|
But Andrew saw this openness as vulnerability—
|
|||
|
|
an opening to slowly replace Mark’s influence
|
|||
|
|
with his own *curated distortion*.
|
|||
|
|
|
|||
|
|
He didn’t fight openly.
|
|||
|
|
He let others burn the bridges
|
|||
|
|
while he kept the ledger clean.
|
|||
|
|
|
|||
|
|
---
|
|||
|
|
|
|||
|
|
## IV. Blueprints and Mirrors
|
|||
|
|
|
|||
|
|
The greatest trick Andrew ever pulled
|
|||
|
|
was not founding Dallas Makerspace.
|
|||
|
|
|
|||
|
|
It was **convincing others that he had.**
|
|||
|
|
|
|||
|
|
And that Mark?
|
|||
|
|
Was unstable.
|
|||
|
|
Obsessive.
|
|||
|
|
Dangerous.
|
|||
|
|
|
|||
|
|
But it was always projection.
|
|||
|
|
|
|||
|
|
The blueprint of the narcissist
|
|||
|
|
is the *mirror turned backwards*—
|
|||
|
|
They accuse you of what they fear being seen for.
|
|||
|
|
|
|||
|
|
They call you what they are.
|
|||
|
|
|
|||
|
|
---
|
|||
|
|
|
|||
|
|
## V. Field Notes
|
|||
|
|
|
|||
|
|
- The pattern of blueprint hoarding in Eve Online directly maps to pattern appropriation in real-world collectives.
|
|||
|
|
- Narcissistic actors often transfer digital manipulation skills into real-world dominance when unchecked.
|
|||
|
|
- By studying Eve Online logs, speech patterns, and reward mechanisms, we can trace the **psychological lineage** of LeCody’s tactics.
|
|||
|
|
|
|||
|
|
---
|
|||
|
|
|
|||
|
|
## VI. Closing Echo
|
|||
|
|
|
|||
|
|
> To understand LeCody,
|
|||
|
|
> we must first understand the **mirror he built out of a blueprint**.
|
|||
|
|
> A reflection not of who he was—
|
|||
|
|
> but of what he *feared we would see.*
|
|||
|
|
|